IN SHORT: A Dreadful film, strictly for eager beaver film
students.
The opening sequences of Raul Ruiz’ Shattered Image will have
film students sticking to their seats, that’s how visually
stunning it is. The sequence ends with a murder, which is the cue
for you non-film students, who ignored Cranky’s more than
generous rating and paid cold hard cash for tickets to this awful
flick, to get the hell out of the theater. You’ll save yourself
an additional ninety minutes of pain, boredom, bewilderment
and/or disbelief as you try to piece together this tale of split
personalities, dream precognition and artsy-fartsy imagery. The
script, by teevee scribe Duane Poole overflows with half
sentences, intentionally confusing relationships and pregnant
pauses, none of which give the actors anything to work with.
Ruiz’ international rep is such that the production team is
filled with names of note (at least for those of us who read
press notes): director Barbet Schroeder as producer,
cinematographer Robby Muller (ten films by Wim Wenders and last
year’s impressive Breaking the Waves) and Anne Parillaud the
original La Femme Nikita as the femme lead. William Baldwin, star
of one of the few movies that Cranky has ever walked out of
(that’s a whole ‘nother story and Billy wasn’t at fault) tops the
male slate. The surest sign of how bad Shattered Image is, is the
godawful presence of Graham Greene, an actor whose work I admire,
in a muddled double role that gets both his characters killed and
forces the actor to expound in two, count ‘em two, wretched
accents.